Iain Armstrong is a composer and sound designer based in Birmingham, UK. He is particularly interested in exploring the creative potential of recordings of the sound environment and encouraging people to engage in the act of listening. His work is presented internationally and spans, electronic music, sound design for theatre, dance and film, site-specific soundwalks, multi-channel sound installation, phonography and live performance.

Recent credits include: music composition for Humanhood’s dance works ZERO (2016, 2018) and Orbis, (2017); theatre sound design for Delightful by Olivia Winteringham, (sorry) by Susie Sillett, The Whip Hand by Douglas Maxwell (2017), Stories To Tell in The Middle Of The Night by Franscesca Millican-Slater and Looking For John by Tony Timberlake (2016), Birmingham REP; Heather by Thomas Eccleshare (2017), The Bush and Tobacco Factory

Theatres; Heartbeats & Algorithms by Jenny Lee (2016), Soho Theatre.

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​See more of Iain's work here.